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Karen
Ponischil,
Partner,
Moonlight
Design
Group
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Avoid
Costly
Mistakes
by
Becoming
a
Good
Proofreader
Okay,
so
writing
might
not
be
your
forte.
But,
that
is
no
excuse
to
be
a
sloppy
proofreader.
The
fact
of
the
matter
is
that
you
most
likely
do
some
type
of
writing
in
your
line
of
work
whether
it
is
preparing
a
new
business
proposal,
sending
a
congratulatory
e-mail
to
your
team
for
a
job
well
done,
or
developing
marketing
materials
for
your
company.
Believe
it
or
not,
you
will
strengthen
your
writing
by
learning
to
be
a
good
proofreader.
Having
a
keen
eye
is
especially
important
if
you
are
creating
custom
marketing
materials
that
require
an
investment
in
design
and
printing.
One
of
the
best
ways
to
hone
your
proofreading
skills
is
to
learn
to
edit
your
own
writing.
Tools
that
are
especially
helpful
to
keep
handy
include
a
dictionary,
a
style
guide
(such
as
the
Associated
Press
Stylebook*),
and
a
copy
of
“proofreader’s
marks,”
which
are
standard
editing
marks
used
by
editors
and
graphic
designers.
Always
use
your
word
processing
program’s
spell
check,
but
don’t
rely
solely
on
it
as
a
means
of
proofreading.
When
working
with
a
graphic
designer,
use
the
following
steps
to
be
a
good
editor
of
the
materials
they
are
creating
for
you:
•
Submit
Finalized
Text.
When
giving
initial
text
to
a
graphic
designer,
make
sure
it
is
as
complete
as
possible
and
that
you
have
had
multiple
people
review
it.
This
will
save
you
time
and
money
by
greatly
reducing
the
number
of
potential
edits
a
graphic
designer
would
have
to
make.
Also,
your
project
will
be
converted
to
a
PDF
file,
which
does
not
have
spell
check,
so
the
fewer
edits
made
at
this
stage
the
better.
Always
e-mail
the
information
or
drop
off
a
hard
copy
on
a
disc
to
the
designer.
Avoid
faxing
the
text
since
it
is
hard
to
see
margins
or
colored
boxes.
•
Proofread
Hard
Copy.
Proofreading
a
document
on
a
computer
screen
is
not
effective.
Always
print
out
a
hard
copy
of
what
you
are
proofing.
The
designer
usually
will
provide
you
with
a
PDF
proof
of
your
project.
Only
make
changes
to
the
PDF
file,
not
to
the
original
word
document
because
the
designer
would
have
to
lay
it
out
again.
Keep
in
mind
that
the
text
you
originally
submitted
in
a
regular
Word
document
will
look
vastly
different
once
it
has
been
designed.
•
Use
a
Red
Pen.
Arm
yourself
with
a
red
pen
when
proofreading
a
document.
This
helps
your
changes
stand
out.
It
is
also
helpful
to
read
the
text
out
loud.
•
Use
Electronic
Editing.
Some
PDF
files
have
a
“Post-it®
Note”
feature
for
making
changes.
If
this
feature
is
not
available,
type
the
changes
in
an
e-mail
so
the
designer
can
easily
copy
and
paste
the
information
into
the
document.
Explain
where
the
changes
are
in
the
document
(e.g.,
page
number,
paragraph
number).
•
Line
Up
Multiple
Proofreaders.
Always
have
more
than
one
person
proofread
text
and
preferably
use
someone
who
has
not
yet
seen
the
documents.
Include
different
staff
members
in
the
various
proofreading
stages.
Be
sure
to
include
everyone
from
your
receptionist
to
your
IT
person.
This
is
a
great
opportunity
for
them
to
hone
their
proofreading
skills.
Plus,
a
fresh
set
of
eyes
can
often
point
out
the
most
simple
of
mistakes.
•
Think
Upside
Down.
It
helps
to
literally
turn
the
page
upside
down
to
look
at
it
from
a
completely
different
viewpoint.
Spacing
errors
and
things
that
don’t
line
up
will
jump
out.
Remember,
proofreading
is
not
about
being
an
expert
writer.
It
is
more
about
ensuring
that
spelling
and
grammar
are
correct,
a
sequence
of
numbers
is
in
order,
there
is
proper
punctuation
throughout
the
document,
spacing
and
fonts
are
consistent,
and
that
dates
and
times
are
accurate.
For
very
specific
information,
such
as
figures
used
in
an
annual
report,
be
sure
that
you
have
people
with
knowledge
of
that
information
to
verify
that
it
is
correct.
If
you
would
like
a
free
copy
of
proofreader’s
marks,
send
me
an
e-mail
at
karen.p@moondesign.com
with
“Proofreader’s
Marks”
in
the
subject
line
and
I
will
send
you
a
PDF
copy.
*Associated
Press.
The
Associated
Press
Stylebook.
New
York:
Basic
Books,
2004.
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